Traditional piano-school with trilingual excersises incl. fingering phrasing tempi and how-to -play for advanced players.

In Recital For The Advancing Pianist - Duets contains artistic duets by leading FJH composers and arrangers in a mix of styles including traditional favourites folk songs ragtime classical themes and more. Beautiful and flashy duets are ideal for every recital situation and are the perfect companion for early advanced duet players!

This book of First Australian Songs follows the world-renowned John Thompson's Easiest Piano Course method that has helped thousands of beginners learn the Piano. Now you can learn all of those famous Australian pop and folk songs with ease.The John Thompson's Easiest Piano Course is one of the best-selling Piano methods ever, and for good reason. The collection of repertoire books that are intended as supplementary material for these tutors are equally deserving of their praise, with the way they enable students to put what they've learned into practice through familiar and famous songs. This particular songbook is made up of those Australian Songs that remind you of a beautiful beach with white sands and a crystal clear ocean, while also representing the natural beauty of the flora and fauna of the great island.Popular tunes like I'd Like To Teach The World To Sing, Kookaburra Sits In The Old Gum Tree and Waltzing Matilda perfectly supplement students working through parts 2, 3 and 4 of the Easiest Piano Course, with the songs are also ideal for use as sight-reading practice by more advanced students. Other familiar melodies include Waltzing Matilda, Skippy The Bush Kangaroo and, of course, The Australian National Anthem. By learning and playing fun songs from this book, students will be more motivated to play the Piano and will become more musical as a result.What's more, this book is great in the sense that it creates a natural progression for beginners. The pieces become more difficult as they go on, meaning players have something to strive for. Also, because techniques like dynamics and phrasing (though essential) are not introduced until the later parts of the course, they have been omitted from the earlier parts of this songbook, so that initially the student remains focused on accuracy in the notes and rhythm.To enhance learning through fun-to-play popular songs, the First Australian Songs book will bring a taste of down-under to your fingertips. These jaunty melodies and happy tunes will get you playing, and improving, in no time at all. / Piano

In Recital® for the Advancing Pianist - Christmas presents classic Christmas repertoire in a decidedly un-classic way! Christmas favorites such as Jingle Bells Joy to the World Away in a Manger and more are arranged with lush harmonies and new rhythmic twists that will bring a smile to everyone's faces. Arranged for the early advanced student these pieces are sure to become a new Christmas tradition in your studio.

20 jazzy interpretations of traditional Christmas carols for the intermediate to advanced pianist-Microjazz Christmas Collection provides the intermediate to advanced pianist with fresh repertoire for the festive season. Containing 20 innovative arrangements of traditional carols in styles such as jazz blues swing rock 'n' roll and reggae this set of Piano pieces will help you to capture the magic of Christmas.

Concerto No.2 'Haydn' A series of works based on the surviving two bars of Haydn's 'lost' Double Bass Concerto. Based on the two surviving bars of Haydn's 'lost' Double Bass Concerto and dedicated to David Heyes, this magnificent new concerto is a tour-de-force from a respected and leading Czech bassist-composer. In a tonal and accessible style, there are musical and technical challenges for the advanced bassist and this edition is only available in solo tuning. Influenced by the late 18th-century style, but imbued with Czech lyricism and influences, this new three-movement concerto is a major addition to the repertoire and utilises the entire range of the double bass. The concerto has been performed throughout Europe many times, most recently in Macedonia and Serbia by the composer. Miloslav Gajdos has composed and transcribed many works for double bass in a 40 year career and is Professor of Double Bass at the Vejvenovsky Conservatoire in Kromeriz (Czech Republic) alongside many international recitals and masterclasses. Concerto No.2 'Haydn' is available in three orchestrations alongside the published edition with piano. Please contact the publishers for more information about the various orchestrations. Performance Level: Advanced Miloslav Gajdos is one of Europe's most active and inventive bassist-composers. He was born in northern Moravia in 1948 and initially learned violin before transferring to the double bass, studying with Alois Kriz, Jiri Bortlicek and Ludwig Streicher. He has been Professor of Double Bass at the Vejvenovsky Conseravtoire in Kromeriz (Czech Republic) since 1971, and was a member of the Olomouc Symphony Orchestra for a number of years. He is Director of the Gregora International Double Bass Competition, founded in 1979 and held every two years in Kromeriz, and has been a juror at many competitions in Hungary, Germany and the Czech Republic. Miloslav Gajdos is a prolific composer and arranger and, for almost 40 years, has produced a vast body of original works and transcriptions for double bass which are performed worldwide. His original works combine Czech lyricism and melody with brilliant technical demands, and music from one to sixteen double basses. He writes in a traditional and accessible style, producing music for every level of performer, particularly for the advanced bassist, and his many works for unaccompanied double bass are frequently chosen as international competition repertoire. Miloslav Gajdos was Recital Music's Featured Composer in 2007 and has recently revised a number of earlier works for the intermediate bassist which will be published by Recital Music.

Divertimento su temi di Antonio Vivaldi per due pianoforti. Par CALLIGARIS SERGIO. Sergio Calligaris was born in Rosario (1941), Argentina. He is one of the last musicians to incarnate the traditional 19th century figure of pianist, teacher and composer, inaugurated at the beginning of the 19th century by Muzio Clementi and carriedon after that by a sequence of famous names that the history of music has handed down to us. As a pianist, he began to give public performances at the age of 13, making his debut in his home town Rosario. Following this success, he embarked upon an extremely busy career as a soloist, giving numerous recitals in Buenos Aires and other citiesin Argentina. He continued to take advanced lessons with eminent exponents of the most prestigious international piano schools. In 1974 he became an Italian citizen and settled in Rome, teaching piano as principal instrument at the S. Pietro a Majella StateConservatory in Naples, the Luisa DAnnunzio Conservatory in Pescara and the Alfredo Casella Conservatory in Aquila. As a composer, he began - at just 9 years of age - to study in the rigorous school of Paul Hindemith, under the guidance of Father Luis Machado, from whom he inherited a love of counterpoint and a strong taste for harmony. He took a diploma incomposition, counterpoint and fugue at the age of 16 at the Amigos del Arte Society in Rosario, going on in 1964 to do an advanced course in 12-tone counterpoint at the Cleveland Institute of Music. The catalogue of his compositions, which has nowreached Op. 55, encompasses a huge range of instrumental/vocal chamber music and symphonic works: a vast and articulated catalogue, in which Sergio Calligaris’s composition expresses its inspiration through the dramatic development of a dialecticalcontrast between the two natures of the composer’s personality - the elegiac and the dithyrambic - which confront and interact with each other giving rise to artistic outcomes of a deeply moving nature. / Niveau : Intermédiaire / Répertoire / 2 Pianos

Per Violino E Pianoforte. Par CALLIGARIS SERGIO. Sergio Calligaris was born in Rosario (1941), Argentina. He is one of the last musicians to incarnate the traditional 19th century figure of pianist, teacher and composer, inaugurated at the beginning of the 19th century by Muzio Clementi and carriedon after that by a sequence of famous names that the history of music has handed down to us. As a pianist, he began to give public performances at the age of 13, making his debut in his home town Rosario. Following this success, he embarked upon an extremely busy career as a soloist, giving numerous recitals in Buenos Aires and other citiesin Argentina. He continued to take advanced lessons with eminent exponents of the most prestigious international piano schools. In 1974 he became an Italian citizen and settled in Rome, teaching piano as principal instrument at the S. Pietro a Majella StateConservatory in Naples, the Luisa DAnnunzio Conservatory in Pescara and the Alfredo Casella Conservatory in Aquila. As a composer, he began - at just 9 years of age - to study in the rigorous school of Paul Hindemith, under the guidance of Father Luis Machado, from whom he inherited a love of counterpoint and a strong taste for harmony. He took a diploma incomposition, counterpoint and fugue at the age of 16 at the Amigos del Arte Society in Rosario, going on in 1964 to do an advanced course in 12-tone counterpoint at the Cleveland Institute of Music. The catalogue of his compositions, which has nowreached Op. 55, encompasses a huge range of instrumental/vocal chamber music and symphonic works: a vast and articulated catalogue, in which Sergio Calligaris’s composition expresses its inspiration through the dramatic development of a dialecticalcontrast between the two natures of the composer’s personality - the elegiac and the dithyrambic - which confront and interact with each other giving rise to artistic outcomes of a deeply moving nature. / Niveau : Intermédiaire / Date parution : 1905-06-19/ Répertoire / Violon et Piano

Per Violino, Violoncello E Pianoforte. Par CALLIGARIS SERGIO. Sergio Calligaris was born in Rosario (1941), Argentina. He is one of the last musicians to incarnate the traditional 19th century figure of pianist, teacher and composer, inaugurated at the beginning of the 19th century by Muzio Clementi and carriedon after that by a sequence of famous names that the history of music has handed down to us. As a pianist, he began to give public performances at the age of 13, making his debut in his home town Rosario. Following this success, he embarked upon an extremely busy career as a soloist, giving numerous recitals in Buenos Aires and other citiesin Argentina. He continued to take advanced lessons with eminent exponents of the most prestigious international piano schools. In 1974 he became an Italian citizen and settled in Rome, teaching piano as principal instrument at the S. Pietro a Majella StateConservatory in Naples, the Luisa DAnnunzio Conservatory in Pescara and the Alfredo Casella Conservatory in Aquila. As a composer, he began - at just 9 years of age - to study in the rigorous school of Paul Hindemith, under the guidance of Father Luis Machado, from whom he inherited a love of counterpoint and a strong taste for harmony. He took a diploma incomposition, counterpoint and fugue at the age of 16 at the Amigos del Arte Society in Rosario, going on in 1964 to do an advanced course in 12-tone counterpoint at the Cleveland Institute of Music. The catalogue of his compositions, which has nowreached Op. 55, encompasses a huge range of instrumental/vocal chamber music and symphonic works: a vast and articulated catalogue, in which Sergio Calligaris’s composition expresses its inspiration through the dramatic development of a dialecticalcontrast between the two natures of the composer’s personality - the elegiac and the dithyrambic - which confront and interact with each other giving rise to artistic outcomes of a deeply moving nature. / Niveau : Intermédiaire / Répertoire / Violon, Violoncelle et Piano

Bastian New Traditions. Par . Christmas Classics are collections of timeless (and most requested) traditional carols that students are sure to enjoy and cherish throughout the holiday season! Each book of arrangements are designed to go along with the corresponding levels of the Bastien New Traditions All-In-One Course, or the comparable level of any (similar) piano course. In each book, the carols appear in progressive order of difficulty. Duets for each carol (Primer A, Primer B and Level 1 only) provide students with wonderful ensemble playing opportunities. The duets offer a rhythmic foundation for student beginners and may be played by the teacher, a student?s parent or sibling, or a more advanced student. Holiday-themed activity pages are woven into each book to provide fun review and reinforcement of beginning concepts. Gorgeous, full-color illustrations enhance the student experiences. / Date parution : 2021-12-09/ Recueil / Piano

Bastian New Traditions. Par . Christmas Classics are collections of timeless (and most requested) traditional carols that students are sure to enjoy and cherish throughout the holiday season! Each book of arrangements are designed to go along with the corresponding levels of the Bastien New Traditions All-In-One Course, or the comparable level of any (similar) piano course. In each book, the carols appear in progressive order of difficulty. Duets for each carol (Primer A, Primer B and Level 1 only) provide students with wonderful ensemble playing opportunities. The duets offer a rhythmic foundation for student beginners and may be played by the teacher, a student?s parent or sibling, or a more advanced student. Holiday-themed activity pages are woven into each book to provide fun review and reinforcement of beginning concepts. Gorgeous, full-color illustrations enhance the student experiences. / Date parution : 2021-12-09/ Recueil / Piano

Bastian New Traditions. Par . Christmas Classics are collections of timeless (and most requested) traditional carols that students are sure to enjoy and cherish throughout the holiday season! Each book of arrangements are designed to go along with the corresponding levels of the Bastien New Traditions All-In-One Course, or the comparable level of any (similar) piano course. In each book, the carols appear in progressive order of difficulty. Duets for each carol (Primer A, Primer B and Level 1 only) provide students with wonderful ensemble playing opportunities. The duets offer a rhythmic foundation for student beginners and may be played by the teacher, a student?s parent or sibling, or a more advanced student. Holiday-themed activity pages are woven into each book to provide fun review and reinforcement of beginning concepts. Gorgeous, full-color illustrations enhance the student experiences. / Date parution : 2021-12-09/ Recueil / Piano

Easy variations for piano-Imre Mez (born 1932) composed several popular works for children and young people studying music. His most recent collection is extraordinary in that all the 153 tiny pieces are based on the same Hungarian folk song offering a myriad of ways and options of presenting and elaborating the same melody without altering it.The variations are grouped by key and within each chapter are placed in order of difficulty. In so doing the composer offers as piano teacher Erika Becht writes ''two ways for teachers and pupils to know and try out the many musical and technical variations (such as augmenting diminishing canon melody pairs etc.). This can be done within the same key inorder of difficulty or by using the scope of the music to find the right degree of difficulty and advancing through the key signatures so developing pupils' ability and sense of security in reading a score by playing in various keys.'' This publication is not only recommended to beginners or more advanced pupils undergoing traditional musical tuition but also to those interested in the secrets of composition and musical structures.This publication is printed on high-quality age-resistant paper that is produced in an environmentally-friendly climate-neutral manner using renewable raw materials.

Embark on a voyage of discovery with this captivating collection of 14 new Pacific Preludes from the creator of Microjazz inspired by traditional music from the shores of the world’s largest ocean. Explore the rich and varied musical landscape of the Pacific Rim as each Prelude weaves together native themes from countries including Australia Canada China Costa Rica Japan Peru New Zealand and the United States of America with Christopher Norton’s characteristically innovative popular music styles. Ideal for intermediate to advanced-level keyboard players these pieces are perfect for the concert platform as well asproviding excellent teaching material. An accompanying CD puts each Prelude on the map with stylish demonstration performances by Iain Farrington.